Notes. Deborah Carlson of Word of Mouth @ A/C Studios: An acting class based on the work of Patsy Rodenburg

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New Training/Lessons:

  • Placing the voice: (see The Actor Speaks, exercise 17, p.75): speak "1," "2," "3," . . . "10" alternating between the top and bottom of my vocal range (using just enough breath -- see The Actor Speaks, exercise 21, p.79), and then find my middle/natural voice/tone -- it is from there that I should always speak.
  • Building more breath support: Sigh from the top of my range to about half way down (to my eyes, my middle/natural voice/tone) and then intone a speech: use lips, full breath, and go slow. When I start the sigh, train myself to be immediately on voice, i.e., no empty breath before a sound.
  • Find the high palette: (see The Actor Speaks, exercise 17, p.75). "ooo" into "ah," full breath, easy, slow, place the vibration. Intake should be silent if my palette is up.

Soliloquy notes:

All soliloquies are to someone who listens and "gets it." Communicate clearly the thoughts to that person, and I'm half way there, the most important part of the way.

Further Reading About Acting, Theatre & Film . . .

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This page contains a single entry by Christopher, On The Edge of America published on December 18, 2006 10:33 AM.

Notes. Deborah Carlson of Word of Mouth @ A/C Studios: An acting class based on the work of Patsy Rodenburg was the previous entry in this blog.

'Winning Auditions (101 Strategies For Actors)' by Mark Brandon is the next entry in this blog.

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