"The Egg Is the Symbol Of The Soul" -- Cast!

My cold readings have gotten better -- all I did was what I've been learning in Deborah's class and what I've been teaching myself: I first took a few minutes to understand what was going on the scene. I didn't know the character's "back stories," and I didn't have the full context -- but I didn't worry about that. I just paid attention to what could be objectively known, and that was fairly simple, as it usually is.

Next -- rhythm and sense: the "character," "objectives," "actions," all the things I would have normally tried to do, all the things I would have tried to "figure out" before EVEN starting to read, all those things just happened on their own, and it all fell directly out of the text (and I reminded myself to mean what I'm saying, as best I can, and paying attention to the rhythm and the "journey of the thoughts" seemed to slowed me down enough to give me time to mean what I said).

Anyway, if there was some "strong choice" to make, I don't know what it could have been -- this is the usual advice one hears: perhaps where was a strong choice I could have made (see the section on this page called when you don't get the sides in advance), but I think that the effort and attention one puts into figuring out and then executing a "strong choice" too often comes at the expense of simply doing the scene . . . Deborah's class is definitely making me a much better/smarter actor!

Post-script: I got this from Deborah about the "strong choice" advice:

. . . there is no Strong Choice to make; the author made the choices and by being ON the text you made HIS choices automatically! Congratulations!